Like the ancient Greco-Buddhist colossi of Bamiyan, the High-Modernist era Kajaki dam is a product of foreign influences and has been a mute witness as well as an occasional victim of domestic political disarray and failed attempts to integrate and incorporate Afghanistan into contending spheres of influence. Each alternate modern (i.e., capitalist, communist, islamist, praetorian) or anti-traditional/utopian fundamentalist (i.e., Deobandi)...