Tag: science fiction (Page 1 of 4)

“The UN v. Skynet?” An ISA Teaser

As the gods of the International Studies Association have seen fit to place my panel at 8:15 on a Saturday morning, I decided to advertise my talk in the blogosphere in hopes of drumming up some attendees. Below please see the teaser trailer for my working paper this year, which explores the impact of science fiction on global policy making in the area of autonomous weapons.

The paper itself is not yet ready for distribution (research is still in progress), but I should be able to circulate later this year and feedback at the panel will help me refine my conceptual framework – so if you are interested in these matters please come join us in the Richmond Room at the Toronto Hilton this Saturday! The panel, organized by UBC’s Chris Tenove, is entitled “Representation Across Borders”: Richard Price is chairing and other speakers include Wendy Wong, Sirin Duygulu and Hans-Peter Schmitz. Panel abstract is below the fold.

Continue reading


Favela Ninjas and Apartheid Samurai

Neill Blomkamp’s “Elysium” packs a punch for an action sci-fi film even if its punches don’t land.

So yeah … Jodie Foster doesn’t give her best performance and the other roles for women in the film are completely lame.  A beefy Matt Damon, bless his heart, is poorly cast.  The core plot line doesn’t make much sense.  Look, let’s face it, there is just no way Blomkamp can match the brilliance of his earlier hit, “District 9.”

Nevertheless, this film plays well with a range of contemporary possibilities/anxieties in the Global North: post-human bodies, surveillance drones, biometrics, the carceral archipelago, the securitization of migration, mega-favelas/globalized Gaza, privatized militaries, socialized medicine, the hierarchy of tongues, etc.

The film reminds us that globalization is as much about the construction of borders as their elimination.  It shows just how uncomfortable we are with liberal ideas in practice.  And it forces us to think about the reality of structural violence in our daily lives.

So how could this film have been better? Continue reading


Beyond Robopocalypticism

Media1In all the media frenzy over “killer robots,” Terminator imagery comes up a lot. So do references to Battlestar Galactica. So does a specific scene from Robocop, soon to be remade to resonate with public fears of domestic drones.

These iconic narratives invoke a recurrent theme in American science fiction about lethal robot malfunctions or uprisings against their human creators. So prevalent is this theme in anti-killer-robot media coverage that some have argued concern over autonomous weapons is a product of science fiction itself: Hollywood is apparently to blame for priming the public with an unfounded fear of killer machines. For example Joshua Foust writes:

“Why is there such concern? Part of the reason, arguably, is cultural. American science fiction, in particular, has made clear that autonomous robot are deadly. From the Terminator franchise, the original and the remake of Battlestar Galactica, to the Matrix trilogy, the clear thrust of popular science fiction is that making machines functional without human input will be the downfall of humanity. It is under this sci-fi ‘understanding’ of technology that some object to autonomous weaponry.”

There are several reasons why this sort of argument doesn’t make sense, but one of the most important is that it overstates the case about robopocalypticism in American “killer robot” science fiction. In fact, co-existing with the imagery of killer robots run amok is a broad range of far more benign killer robot imagery that no one seems to mind or even think about when worrying over autonomous weapons. Here are five great examples of killer robots filmmakers and TV producers definitely want you to want on your side in a pinch. [BSG SPOILER ALERT] Continue reading


Outside of Context: Iain M. Banks, 1954-2013

Yesterday the world lost one of its great contemporary literary lights. Iain M. Banks, named “one of the 50 greatest British writers since 1945” by The Times in 2008, died of gall bladder cancer that had only been diagnosed this February. He finished his last novel — ironically, it’s a story about the final weeks of a man dying of cancer — very recently, and it’s due to be published before the end of the month. From all reports, he passed peacefully, having spent as much of his last months as possible spending time with his wife and close friends.

Continue reading


Arguments for a New STAR TREK Series

Cardassia RuinsBecause “53 reasons” is just plain stupid, and increments of five are basically listicles, I provide three.

1. We are heading straight for maximum Star Wars saturation. Despite its ham-handed didacticism,  Star Trek‘s values are far preferable to those of Star Wars. We cannot allow aristocratic fantasy to bury republican virtue.

2. JJ Abrams is a pretty good action director, but he doesn’t seem to understand the intellectual possibilities of science fiction. At its best, Star Trek has been one of the few non-cable programs to explore those possibilities. And it has almost invariably done so better within the format of episodic television than that of the “major motion picture.”

3. Onward toward the 25th Century! By the third season of The Next Generation, it was pretty clear that the political communities of Star Trek — including the United Federation of Planets and the Klingon Empire — are themselves important “characters” in the franchise. We’ve seen the Federation evolve –and not always for the best — in light of the Borg and Dominion threats; we’ve learned just how much its status as a “post-scarcity society” rests on maintaining a Terra-centric utopia within a much harsher galaxy. We’ve watched the Klingon Empire repeatedly fail to reconcile the theory and practice of honor. Cardassia has broken our hearts time and time again.

Continue reading


The Hydrogen Sonata Forum: Iain M. Banks Replies


General Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.

Iain M. Banks is a celebrated author of both science fiction and “regular fiction.” According to his Wikipedia page, in 2008 The Times named him in their list of “The 50 greatest British writers since 1945.” Continue reading


PTJ on The Hydrogen Sonata: Actors on the Sci-Fi Stage

The-Hydrogen-Sonata-Iain-M-BanksGeneral Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.

Patrick Thaddeus Jackson is Professor of International Relations and Associate Dean for Undergraduate Education in the School of International Service at American University. Continue reading


Iver B. Neumann on The Hydrogen Sonata: Religion and the Sublime

The-Hydrogen-Sonata-Iain-M-BanksGeneral Warning: this is emphatically not a spoiler-free Forum! Hence all of the text all of the contributions will be safely below the fold, and only the identifying information for the author of the contribution will be here for even causal browsers to see.

Iver B. Neumann is Montague Burton Professor of International Relations at the London School of Economics. For some reason he doesn’t have a personal page at the LSE, so here’s his Wikipedia page instead. Continue reading


A Christmas present: a Forum on Iain M. Banks’ new novel


Iain M. Banks, an especial favorite author of mine and someone on whom I‘ve written before, published a new novel earlier this Fall: The Hydrogen Sonata, the latest installment in his ongoing series of novels about The Culture, a post-scarcity pan-human civilization largely controlled by hyper-advanced artificial intelligences called Minds. I invited four other scholars — Dan Nexon, Iver Neuman, Chris Brown, and Gerard van der Ree — to write short critical essays on the novel, and sent the package to Iain for his comments. I now have all of the pieces in hand, and over the next few days I’ll post them here. Happy holidays. You’re welcome.

Continue reading


Alastair Reynolds, Blue Remembered Earth

I think Duck of Minerva readers will really enjoy this podcast. Lots on the near-future imaginary, technological change, and other topics of interest.

From the write up at New Books in Science Fiction and Fantasy:

Blue Remembered Earth (Gollantz, 2012) takes place roughly 150 years in the future. Climate change, as well as the political and economic rise of Africa, have transformed the planet. Humanity is colonizing the solar system. Geoffrey Akinya, grandson of a visionary businesswoman, cares most about his scientific work with elephants. His sister, Sunday, pursues the life of an artist in an anarchic commune on the moon. But their grandmother’s death sets in motion an interplanetary treasure hunt with the potential to change humanity’s future.

Alastair Reynolds‘ latest book has received much critical praise; there’s a sense among some science-fiction writers and fans that Blue Remembered Earth marks an important development in the genre itself. Whatever readers may think of it, Reynolds is a gregarious and fascinating interview subject, and I’m very pleased that he agreed to record this podcast.

Continue reading


New Books in Science Fiction and Fantasy: Meagan Spooner’s Skylark

Check out the third episode of New Books in Science and Fantasy, in which I interview Meagan Spooner about Skylark.

The summary:

Lark Ainsley lives within a near-hermetically sealed city located in a world scarred and depleted by magical wars. The Architects, who oversee the City, maintain it by harvesting the non-renewable magical energy found in each of the city’s inhabitants. But something goes wrong on Lark’s “Harvest Day,” and she soon finds herself on a quest to find safety outside the City’s walls–where the disappearance of magic has rendered the landscape a wasteland full of sadness and danger.

There’s also a very positive review of the book at Popcorn Reads.


New Books in Science Fiction and Fantasy: D.B. Jackson’s Thieftaker

My second NBinSFF podcast is live

D.B. Jackson” is David B. Coe’s pen name for his new historical-fantasy series, The Thieftaker Chronicles. Thieftaker (Tor Books, 2012) centers on Ethan Kaille, a private detective and conjurer, as he investigates a murder in colonial Boston. David, who received a Ph.D. in U.S. history from Stanford University before embarking on a career as a novelist, weaves in plenty of period details and historical personages into an alternate Boston where conjuration is real, albeit suppressed by the authorities. David maintains a page of resources for those interested in his well-researched setting. He also is a co-founder of, and co-writer for, a blogdedicated to assisting aspiring speculative-fiction and fantasy authors with all aspects of the craft.

You can read the rest the rest and listen to the podcast at the New Books Network.


Quick Questions (More SF&F Podcast Blogging)

When I asked for suggestions for interview subjects for the NBinSFF podcast, Alastair Reynolds was high on the list (albeit mostly over email channels). Well, he agreed, and I’m scheduled to interview him  tomorrow. The focus is Blue Remembered Earth. If anyone has suggestions for questions or themes, let me know. Also, this seems as good a time as any to ask for more suggestions for interview subjects.

A few additional items:

  1. Interesting thing I’ve learned so far: the PR people at Tor? Aggressive. Very aggressive. Many of the other major SF&F publishing houses? Not so much. 
  2. The “New Books in Science Fiction and Fantasy” has a very lonely Facebook page. You should go “like” it.
  3. Because I believe in saturation linking, I should note that the podcast on The Night Sessions includes discussion of themes close to many of our readers’ hearts, including religion and secularism, terrorism, and whether or not we should be optimistic about the future. 
  4. Comments at NBN are moderated. Very slowly. 
« Older posts

© 2021 Duck of Minerva

Theme by Anders NorenUp ↑